Boston Globe
August 16, 2019
Sara Mearns Leaps Thrillingly Over the Lines with “Beyond Ballet” at Jacob’s Pillow
by Janine Parker
Arts Journal
August 16, 2019
A Ballerina Adventures in Postmodern Worlds
by Deborah Jowitt
The New York Times
May 31, 2019
Some Enchanted Ending: Debuts and Other Spectacular Feats at City Ballet
by Gia Kourlas
MD Theatre Guide
April 4, 2019
Dance Review: New York City Ballet Program A Baseball, Blossoms and Balanchine’s Ballets: a Sure Sign of Spring in DC
by Carolyn Kelemen
The Washington Post
April 3, 2019
It’s Hit or Miss for New York City Ballet in First Kennedy Center Program Under New Directors
by Sarah L. Kaufman
DC Theatre Scene
April 3, 2019
Review: Balanchine, Peck, Abraham and Robbins: New York City Ballet Enters a New Era of Hope and Revived Energy
by Maria Di Mento
Broadway World
February 21, 2019
BWW Review: NYCB Evolves the Classics of Tchaikovsky & Balanchine
by Christina Pandolfi
DanceTabs
October 10, 2018
Fall for Dance 2018, Program 1 – Boston Ballet, Sara Mearns, Caleb Teicher & Co, Cie Hervé Koubi – New York
by Eric Taub
The Dance Enthusiast
October 8, 2018
IMPRESSIONS: Fall for Dance at New York City Center with Boston Ballet, Sara Mearns, Caleb Teicher & Company, and Cie Hervé KOUBI
by Deirdre Towers
NY Times
October 2, 2018
Review: At Fall for Dance, Formula and a Revelation (Sara Mearns)
by Siobhan Burke
Post and Courier
June 8, 2018
Review: Classical dancers interpret post-modern work of Jodi Melnick
by Eliza Ingle
Broadway World
May 6, 2018
BWW Review: NYCB Explores Surrealism at 2018 Spring Season
by Christina Pandolfi
Broadway World
March 27, 2018
BWW Dance Review: Paul Taylor’s American Modern Dance spotlights New York City Ballet’s Sara Mearns
by Barnett Serchuk
Broadway World
March 10, 2018
BWW Dance Review: DEMO: NOW Finds Kennedy Center’s DIRECT CURRENT
by Roger Catlin
The Washington Post
March 8, 2018
Crazy Concept Meets Magical Execution in “DEMO: Now”
By Sarah L. Kaufman
The New York Times
March 6, 2018
At New York City Ballet, Hits, Misses and Daring Dancers
By Gia Kourlas
Broadway World
March 5, 2018
BWW Dance Review: The New York City Ballet, February 25, 2018
by Barnett Serchuk
Broadway World
October 16, 2017
BWW Review: Program D of the 2017 Fall For Dance Festival at City Center Delighted a Full House of Dancegoers
by Sondra Forsyth
Broadway World
October 4, 2017
BWW Review: NYCB an All-Balanchine Evening at Koch Theater
by Marsha Volgyi
Broadway World
October 4, 2017
BWW Review: NYCB’s Swan Lake Is a Vision
by Christina Pandolfi
The Brooklyn Rail
September 7, 2017
Timeless and Tamed: Lincoln Center Festival Koch Theater, July 2017
by Susan Yung
The Saratogian
July 7, 2017
Review: NYCB Cooks Up Delicious All-Balanchine Banquet
by Jay Rogoff
The New York Times
June 20, 2017
Review: Sara Mearns Joins Isadora Duncan’s Maenads and Nymphs
by Alastair Macaulay
The New York Times
May 14, 2017
Review: Justin Peck’s ‘Decalogue’ Pushes Into New Ballet Forms
by Alastair Macaulay
The New York Times
February 2, 2017
New Faces (and Bodies) in Classic Roles at New York City Ballet
by Alastair Macaulay
Broadway World
January 24, 2017
BWW Review: New York City Ballet’s ALL BALANCHINE PROGRAM, Winter 2017
by Barnett Serchuk
The New York Times
January 17, 2017
Review: For Bite-Size Balanchine, Frisson Is in the Details
by Alastair Macaulay
The New York Times
November 27, 2016
Review: Pick a ‘Nutcracker,’ One From Balanchine, the Other Reimagined
by Alastair Macaulay
The New York Times
November 14th, 2016
Ballet and Modern Dance Meet, and Ultimately Embrace
by Brian Seibert
The New York Times
September 30th, 2016
Women Fill New York City Ballet’s Season with Splendor
by Alastair Macaulay
The New York Times
September 30, 2016
Women Fill New York City Ballet’s Season With Splendor
by Alastair Macaulay
The Record
July 28, 2016
“Review: ‘Jewels’ tells a story of NYCB’s brilliant heritage”
by Jay Rogoff
timesunion
July 21, 2016
“Review: City Ballet returns with fine ‘Dream'”
by Tresca Weinstein
The New York Times
May 30, 2016
“Review: City Ballet Closes Its Season With Power and Glow”
by Alastair Macaulay
Broadway World
May 16, 2016
BWW Review: NYCB’S ALL ROBBINS Proves that Everything is Beautiful at the Ballet
by Christina Pandolfi
The Wall Street Journal
May 10, 2016
Attention for New and Old Alike at NYCB
by Robert Greskovic
The New York Times
April 22, 2016
Review: From City Ballet, a ‘Peculiar Marvel’ by Ratmansky
by Alastair Macaulay
The New York Times
April 20, 2016
New York City Ballet Review: ‘Jewels’
by Alastair Macaulay
The New York Times
January 27, 2016
New York City Ballet Review: ‘All Balanchine II’
by Brian Seibert
The New York Times
February 22, 2016
New York City Ballet Review: ‘The Most Incredible Thing’
by Alastair Macaulay
The New York Times
January 24th, 2016
“City Ballet Celebrates Balanchine and Heeds Mother Nature”
by Brian Seibert
The New York Times
December 9, 2015
“The Best Dance of 2015”
by Alastair Macaulay, Gia Kourlas, Brian Seibert, & Siobhan Burke
The Wall Street Journal
May 19, 2015
New York City Ballet Reviews: ‘La Sylphide,’ ‘Bournonville Divertissements’ and More
by Robert Greskovic
The New York Times
May 10, 2015
“Serving 4 Helpings of Balanchine, With Thunderbolts and Tornadoes”
by Alastair Macaulay
The New York Times
March 6, 2015
“In ‘Platform 2015,’ the Beauty of Ragged Edges at Danspace Project”
by Deborah Jowitt
The New York Times
January 16, 2015
“City Ballet’s Fab Five (2015 Edition)”
by Roslyn Sulcas
The New York Times
October 20, 2014
“A Bountiful Season of Dizzying Challenges and New Peaks”
by Alastair Macaulay
The New York Times
February 15, 2015
“A World Premiere of Pure Dance to a Familiar Score”
by Alastair Macaulay
The New York Times
December 30 , 2010
“Time to Turn the Cultural Page”
The New York Times
February 14, 2011
“A ‘Swan’ Of Complex Shades”
by Alastair Macaulay