Boston Globe

August 16, 2019
Sara Mearns Leaps Thrillingly Over the Lines with “Beyond Ballet” at Jacob’s Pillow
by Janine Parker

Arts Journal

August 16, 2019
A Ballerina Adventures in Postmodern Worlds
by Deborah Jowitt

The New York Times

May 31, 2019
Some Enchanted Ending: Debuts and Other Spectacular Feats at City Ballet
by Gia Kourlas

MD Theatre Guide

April 4, 2019
Dance Review: New York City Ballet Program A Baseball, Blossoms and Balanchine’s Ballets: a Sure Sign of Spring in DC
by Carolyn Kelemen

The Washington Post

April 3, 2019
It’s Hit or Miss for New York City Ballet in First Kennedy Center Program Under New Directors
by Sarah L. Kaufman

DC Theatre Scene

April 3, 2019
Review: Balanchine, Peck, Abraham and Robbins: New York City Ballet Enters a New Era of Hope and Revived Energy
by Maria Di Mento

Broadway World

February 21, 2019
BWW Review: NYCB Evolves the Classics of Tchaikovsky & Balanchine
by Christina Pandolfi

DanceTabs

October 10, 2018
Fall for Dance 2018, Program 1 – Boston Ballet, Sara Mearns, Caleb Teicher & Co, Cie Hervé Koubi – New York
by Eric Taub

The Dance Enthusiast

October 8, 2018
IMPRESSIONS: Fall for Dance at New York City Center with Boston Ballet, Sara Mearns, Caleb Teicher & Company, and Cie Hervé KOUBI
by Deirdre Towers

NY Times

October 2, 2018
Review: At Fall for Dance, Formula and a Revelation (Sara Mearns)
by Siobhan Burke

Post and Courier

June 8, 2018
Review: Classical dancers interpret post-modern work of Jodi Melnick
by Eliza Ingle

Broadway World

May 6, 2018
BWW Review: NYCB Explores Surrealism at 2018 Spring Season
by Christina Pandolfi

Broadway World

March 27, 2018
BWW Dance Review: Paul Taylor’s American Modern Dance spotlights New York City Ballet’s Sara Mearns
by Barnett Serchuk

Broadway World

March 10, 2018
BWW Dance Review: DEMO: NOW Finds Kennedy Center’s DIRECT CURRENT
by Roger Catlin

The Washington Post

March 8, 2018
Crazy Concept Meets Magical Execution in “DEMO: Now”
By Sarah L. Kaufman

The New York Times

March 6, 2018
At New York City Ballet, Hits, Misses and Daring Dancers
By Gia Kourlas

Broadway World

March 5, 2018
BWW Dance Review: The New York City Ballet, February 25, 2018
by Barnett Serchuk

Broadway World

October 16, 2017
BWW Review: Program D of the 2017 Fall For Dance Festival at City Center Delighted a Full House of Dancegoers
by Sondra Forsyth

Broadway World

October 4, 2017
BWW Review: NYCB an All-Balanchine Evening at Koch Theater
by Marsha Volgyi

Broadway World

October 4, 2017
BWW Review: NYCB’s Swan Lake Is a Vision
by Christina Pandolfi

The Brooklyn Rail

September 7, 2017
Timeless and Tamed: Lincoln Center Festival Koch Theater, July 2017
by Susan Yung

The Saratogian

July 7, 2017
Review: NYCB Cooks Up Delicious All-Balanchine Banquet
by Jay Rogoff

The New York Times

June 20, 2017
Review: Sara Mearns Joins Isadora Duncan’s Maenads and Nymphs
by Alastair Macaulay

The New York Times

May 14, 2017
Review: Justin Peck’s ‘Decalogue’ Pushes Into New Ballet Forms
by Alastair Macaulay

The New York Times

February 2, 2017
New Faces (and Bodies) in Classic Roles at New York City Ballet
by Alastair Macaulay

Broadway World

January 24, 2017
BWW Review: New York City Ballet’s ALL BALANCHINE PROGRAM, Winter 2017
by Barnett Serchuk

The New York Times

January 17, 2017
Review: For Bite-Size Balanchine, Frisson Is in the Details
by Alastair Macaulay

The New York Times

November 27, 2016
Review: Pick a ‘Nutcracker,’ One From Balanchine, the Other Reimagined
by Alastair Macaulay

The New York Times

November 14th, 2016
Ballet and Modern Dance Meet, and Ultimately Embrace
by Brian Seibert

The New York Times

September 30th, 2016
Women Fill New York City Ballet’s Season with Splendor
by Alastair Macaulay

The New York Times

September 30, 2016
Women Fill New York City Ballet’s Season With Splendor
by Alastair Macaulay

The Record

July 28, 2016
“Review: ‘Jewels’ tells a story of NYCB’s brilliant heritage”
by Jay Rogoff

timesunion

July 21, 2016
“Review: City Ballet returns with fine ‘Dream'”
by Tresca Weinstein

The New York Times

May 30, 2016
“Review: City Ballet Closes Its Season With Power and Glow”
by Alastair Macaulay

Broadway World

May 16, 2016
BWW Review: NYCB’S ALL ROBBINS Proves that Everything is Beautiful at the Ballet
by Christina Pandolfi

The New York Times

April 22, 2016
Review: From City Ballet, a ‘Peculiar Marvel’ by Ratmansky
by Alastair Macaulay

The New York Times

April 20, 2016
New York City Ballet Review: ‘Jewels’
by Alastair Macaulay

The New York Times

January 27, 2016
New York City Ballet Review: ‘All Balanchine II’
by Brian Seibert

The New York Times

February 22, 2016
New York City Ballet Review: ‘The Most Incredible Thing’
by Alastair Macaulay

The New York Times

January 24th, 2016
“City Ballet Celebrates Balanchine and Heeds Mother Nature”
by Brian Seibert

The New York Times

December 9, 2015
“The Best Dance of 2015”
by Alastair Macaulay, Gia Kourlas, Brian Seibert, & Siobhan Burke

The Wall Street Journal

May 19, 2015
New York City Ballet Reviews: ‘La Sylphide,’ ‘Bournonville Divertissements’ and More
by Robert Greskovic

The New York Times

May 10, 2015
“Serving 4 Helpings of Balanchine, With Thunderbolts and Tornadoes”
by Alastair Macaulay

The New York Times

February 15, 2015
“A World Premiere of Pure Dance to a Familiar Score”
by Alastair Macaulay

The New York Times

October 20, 2014
“A Bountiful Season of Dizzying Challenges and New Peaks”
by Alastair Macaulay

The New York Times

March 6, 2015
“In ‘Platform 2015,’ the Beauty of Ragged Edges at Danspace Project”
by Deborah Jowitt

The New York Times

January 16, 2015
“City Ballet’s Fab Five (2015 Edition)”
by Roslyn Sulcas

The New York Times

February 14, 2011
“A ‘Swan’ Of Complex Shades”
by Alastair Macaulay