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Sara Mearns
Artist. Dancer. Model. Entertainer.
Sara Mearns
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Portfolio Archives: Reviews

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The Brooklyn Rail

ReviewsBy SaraSeptember 7, 2017Leave a comment

September 7, 2017
Timeless and Tamed: Lincoln Center Festival Koch Theater, July 2017
by Susan Yung

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The Saratogian

ReviewsBy SaraJuly 7, 2017Leave a comment

July 7, 2017
Review: NYCB Cooks Up Delicious All-Balanchine Banquet
by Jay Rogoff

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The New York Times

ReviewsBy SaraJune 20, 2017Leave a comment

June 20, 2017
Review: Sara Mearns Joins Isadora Duncan’s Maenads and Nymphs
by Alastair Macaulay

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The New York Times

ReviewsBy SaraMay 14, 2017Leave a comment

May 14, 2017
Review: Justin Peck’s ‘Decalogue’ Pushes Into New Ballet Forms
by Alastair Macaulay

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The New York Times

ReviewsBy SaraFebruary 2, 2017Leave a comment

February 2, 2017
New Faces (and Bodies) in Classic Roles at New York City Ballet
by Alastair Macaulay

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Broadway World

ReviewsBy SaraJanuary 24, 2017Leave a comment

January 24, 2017
BWW Review: New York City Ballet’s ALL BALANCHINE PROGRAM, Winter 2017
by Barnett Serchuk

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The New York Times

ReviewsBy SaraJanuary 17, 2017Leave a comment

January 17, 2017
Review: For Bite-Size Balanchine, Frisson Is in the Details
by Alastair Macaulay

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The New York Times

ReviewsBy SaraNovember 27, 2016Leave a comment

November 27, 2016
Review: Pick a ‘Nutcracker,’ One From Balanchine, the Other Reimagined
by Alastair Macaulay

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The New York Times

ReviewsBy SaraNovember 16, 2016Leave a comment

November 14th, 2016
Ballet and Modern Dance Meet, and Ultimately Embrace
by Brian Seibert

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The New York Times

ReviewsBy SaraOctober 4, 2016Leave a comment

September 30th, 2016
Women Fill New York City Ballet’s Season with Splendor
by Alastair Macaulay

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